When I tell people that I prefer to write by hand rather than type on a screen, they typically look at me like I’m a dinosaur. But I protest that I prefer to write by hand because it allows my mind and hand to work at the same speed since I can type faster than I think. When I type, my mind is always trying to catch up rather than setting the agenda. With my caveman ways in mind, I was delighted to read Claudia Dreifus’s interview with the esteemed journalist, Robert Caro’s own practice of drafting his books by hand.
Is it true that you write your books by hand?
My first three or four drafts are handwritten on legal pads. For later drafts, I use a typewriter. I write by hand to slow myself down. People don’t believe this about me: I’m a very fast writer, but I want to write slowly.
When I was a student at Princeton. I took a creative writing course with the literary critic R.P. Blackmur. Every two weeks, I’d give him a short story I’d produced usually at the last minute. At the end of the semester, he said some complimentary words about my writing, and then added, “Mr. Caro, one thing is going to keep you from achieving what you want—you think with your fingers.”
Later, in the early 1960s when I was at Newsday, my speed was a plus. But when I started rewriting The Power Broker, I realized I wasn’t thinking deeply enough. I said, “You have to slow yourself down.” That’s when I remembered Blackmur’s admonition and started drafting by hand, which slows me down.
I prefer to write by hand because I express myself better when my mind and hand are synchronized. Caro’s purpose for handwriting is a different one. He can write very quickly as he attests, but he purposefully slows down his writing in order to provide the space he needs to engage his subject deeply. Although, I have preferred drafting by hand because it feels more natural for me, it is true that handwriting allows me think more deeply about my subject.
Of course, some will probably scoff at the idea of writing by hand and all the time that is lost by re-writing by hand and then transcribing to screen. But I think Caro is correct that the practice of writing by hand does create the space to engage a subject in a more meaningful way. Caro’s interview adds another reason to why I think writing by hand is a skill that I plan to continue to use.